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So, how does Access feel about the Venom?
I ask only because the Virus is my favourite synthesizer and I want only the best for Access. And I ask because all my Virus-owning friends want to know too!
For those who don't know, M-Audio (now a part of Avid, a very large audio company who makes Pro Tools and a Hollywood film editing standard) released their first hardware synth, called Venom. Its similarities and obvious inpiration taken from the Virus in name, sound, and design are very thinly-veiled. Avid positions this synth as an evil-sounding virtual analog synth with an integrated, real-time software editor.
I truly believe competition is good and this is probably the first time the Virus has ever had any real competition. While obviously the Virus sounds and looks better, and is better built, the Venom is cheaper (but offers much less polyphony) and has much larger marketing muscle behind it. Even though Access may not see this synth as a threat (and to people who really know synths, it's not), when a competitor muscles in on your market and uses your exact value proposition to sell their cheaper knockoff of your product, it's important not to ignore it and hope it goes away, or just hope people will recognize it for what it is and come to you for the better quality or just "the real thing". People are very fickle and have short memories. It could very well happen in a few years that people start accusing Access of making an expensive Venom ripoff!
I'm sure you guys have thought of all this, but on the off-chance you haven't: why not turn this whole ploy around on Avid by leveraging the existing maturity and vast sound library of the TIOS/VC and make a plastic, 49-key version of the Virus with a single, cheaper Sharc processor (as long as it can do more than Venom's 12 voices; ignore multitimbrality), call it the Virus | Toxin, sell it for $600 MSRP, and let Avid unwittingly do the marketing for YOUR entry level synth...possibly increasing sales to new levels.
For those who don't know, M-Audio (now a part of Avid, a very large audio company who makes Pro Tools and a Hollywood film editing standard) released their first hardware synth, called Venom. Its similarities and obvious inpiration taken from the Virus in name, sound, and design are very thinly-veiled. Avid positions this synth as an evil-sounding virtual analog synth with an integrated, real-time software editor.
I truly believe competition is good and this is probably the first time the Virus has ever had any real competition. While obviously the Virus sounds and looks better, and is better built, the Venom is cheaper (but offers much less polyphony) and has much larger marketing muscle behind it. Even though Access may not see this synth as a threat (and to people who really know synths, it's not), when a competitor muscles in on your market and uses your exact value proposition to sell their cheaper knockoff of your product, it's important not to ignore it and hope it goes away, or just hope people will recognize it for what it is and come to you for the better quality or just "the real thing". People are very fickle and have short memories. It could very well happen in a few years that people start accusing Access of making an expensive Venom ripoff!
I'm sure you guys have thought of all this, but on the off-chance you haven't: why not turn this whole ploy around on Avid by leveraging the existing maturity and vast sound library of the TIOS/VC and make a plastic, 49-key version of the Virus with a single, cheaper Sharc processor (as long as it can do more than Venom's 12 voices; ignore multitimbrality), call it the Virus | Toxin, sell it for $600 MSRP, and let Avid unwittingly do the marketing for YOUR entry level synth...possibly increasing sales to new levels.
i own some m-audio products like a sound card and monitor speakers and an old axiom midi k version but the quality wasn't good enough as i felt .the electronic stuff like capacitors were used on speakers they are out of quality and made from china and board assembling was awful , although the sound quality isn't too bad at their price but the circuit electronic board is out of quality.it's including keyboard as well..
the companies like access,clavia,dave smith,waldorf have more experience on designing synthesizer..
i suppose ,anyone can build anything but when access have their product why avid should build a new one and put it self on the competition road...
avid built perfect devices like their audio interfaces,audio converter and post production software..and it was the secret of their success way...
in my idea everyone should work on their major which they have own it...
the companies like access,clavia,dave smith,waldorf have more experience on designing synthesizer..
i suppose ,anyone can build anything but when access have their product why avid should build a new one and put it self on the competition road...
avid built perfect devices like their audio interfaces,audio converter and post production software..and it was the secret of their success way...
in my idea everyone should work on their major which they have own it...
DAW: Cubase 6.5.4 (64 Bit)
OS:Windows 7 (64 Bit) And OSX 10.7.5
Virus TI OS:4.5.3
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Synth : Virus Ti Desktop,Virus Ti Snow,Nord Stage ex88,Roland Mc-909
PC : Core i7 870 ,8.0 GB Ram
Mac : Macbook Pro Mid 2012 ,Core i7 ,8GB Ram
OS:Windows 7 (64 Bit) And OSX 10.7.5
Virus TI OS:4.5.3
---------------------------
Synth : Virus Ti Desktop,Virus Ti Snow,Nord Stage ex88,Roland Mc-909
PC : Core i7 870 ,8.0 GB Ram
Mac : Macbook Pro Mid 2012 ,Core i7 ,8GB Ram
we think the Virus TI Snow is an excellent sounding synth for a very competitive price. the sound shaping capabilities of the Virus TI series go far beyond virtual analog.
marc
marc
The official Virus TI facebook page: http://www.facebook.com/accessvirus
this is probably the first time the Virus has ever had any real competition. While obviously the Virus sounds and looks better, and is better built, the Venom is cheaper (but offers much less polyphony) and has much larger marketing muscle behind it. Even though Access may not see this synth as a threat (and to people who really know synths, it's not), when a competitor muscles in on your market and uses your exact value proposition to sell their cheaper knockoff of your product, it's important not to ignore it and hope it goes away, or just hope people will recognize it for what it is and come to you for the better quality or just "the real thing". People are very fickle and have short memories. It could very well happen in a few years that people start accusing Access of making an expensive Venom ripoff!
There's nothing totally amazing or new I see about the venom, a lot of synths in the past other than the virus have been there and done that. It doesn't even include a vst/au editor which a lot of synths are doing atm, also 12 voices over 4 parts??
However there are synths out there that do give the virus a run for it's money, more recently the novation ultranova which is probably as feature packed as a TI and even offers things the virus can't do like loop-able EG's. However it's only mono-timbral which is pretty much a fail for such a synth.
I agree with infraction. It's definitely a weak attempt to imitate the Virus. M-Audio makes some great entry level products, and I bet the Venom is great synth for beginning to intermediate users. If you want professional, Access is the way to go. One feature of the Venom that caught my eye was the fact it only has non-balanced TS outputs and can only provide 2 channels at 24bit/44.1k, pretty weak. I also am not a fan of Avid Pro Tools, especially their M-Powered products. It looks like you need to use the Venom with Pro Tools M-Powered to reap all of the benefits it offers. Only in the past couple of years has Avid even tried to make Pro Tools a viable alternative to DAW's like Apple Logic for electronic music production. Pro Tools HD gets all the good updates and support, while M-Powered and LE get left in the dust. If my TI2 Polar had loop-able Envelopes, it would be the perfect synth. But hey, nothings perfect. I would much rather own a TI Snow than a Venom.
I've got to be honest and maybe this is my self pride and respect for Virus.
The Virus is the supreme in what it does and I have listened to a lot of soft plugins (Dune comes to mind) and alternatives that claim to reproduce. Whilst they come close, as soon as i have introduced the Virus into the mix the competetion seems lacking and lacks lustre. Just my thoughts.
It's the old analogy in my book like buying a Fiat and believing it's a Ferrari, if you know what I mean
The Virus is the supreme in what it does and I have listened to a lot of soft plugins (Dune comes to mind) and alternatives that claim to reproduce. Whilst they come close, as soon as i have introduced the Virus into the mix the competetion seems lacking and lacks lustre. Just my thoughts.
It's the old analogy in my book like buying a Fiat and believing it's a Ferrari, if you know what I mean
Venom
I tried the Venom for a few days and found many of the patches inspiring - some great patch programming. The audio interface doesn't really need to be used with Pro Tools. I don't have it but was able to use the synth as a sound card. The value is outstanding - but I returned it because when I tried to use it the first time at practice, my bandmates and I thought the sound was thin and lost in the mix compared to the Virus Snow and my other synths.
RE: Venom
...my bandmates and I thought the sound was thin and lost in the mix compared to the Virus Snow and my other synths.
Of course...
Not impossible to make synths that aren't the virus sound... dare I say it... phat... ok, I did.... but you have to know what you are doing on something as wiry as a venom or a microKORG or something... maybe even external FX, although not strictly necessary...
I have got my microKORG to do a genuine (!) PolyMoog Vox Humana clone, even... although there was nothing 'poly' about it...

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